Earth, air, fire, and water.
These are the basic ingredients Pueblo Indian pottery—an art that is more than two thousand years old. In ancient times, these were utilitarian pieces, used for cooking, for storing food and water, and in ceremonies. But even though pottery is easily broken and days were filled with hard labor, potters took the time to paint and decorate their pots, transforming them to an art form.

Today, most Pueblo pottery is made the same way it was hundreds of years ago. First, the clay is dug by hand—often at a site known only to family members. It is sifted many times, then mixed with sand, crushed rock, or ground pottery sherds for stability. Then water is added. The proportions aren’t measured except by look and feel, a skill passed through generations.

The shape of the pot is created by the coil method. First, a flat base is patted and rolled. Then, the potter rolls a rope of clay to coil on top of the base. The coil must be of uniform thickness and contain no air bubbles. Coil upon coil are pressed together to form the walls of the pot. These are smoothed and thinned using a scraper, which is often a piece of gourd or a smooth stone. The potter uses no modern tool, and yet the pot’s walls are an even thickness, its shape is stable, and it is a near perfect circle—a feat of engineering.

After it is dry, the pot is usually sanded and coated with a clay slip. The potter will spend hours polishing it with a stone, sometimes one passed on by a cherished relative. In some cases, designs are painted on using colored clay slips. The technique called sgraffito involves cutting or scraping through the slip to create a design in the clay underneath. While commericial kilns are sometimes used, most Native Americans prefer the magical, if somewhat unpredictable results of an outdoor fire. Acombination of wood and cow or sheep dung fuel the fire to very high temperatures. If the pot is smothered during the firing, it will turn black from the smoke. Many contemporary Native Americans make their living creating pottery using traditional techniques and designs, but also incorporating their own modern artistry.
 
 



-Rachel Aragon, Acoma Pueblo

-Linda Jo’Povi Askin, Santa Clara Pueblo

-Myrtle Cata, San Felipe and San Juan Pueblos

-Vickie Martinez, Santa Clara Pueblo

-Mary Quintana, Cochiti Pueblo